I write this piece on Friday or on Saturday
But mostly on the latter day
Which I like to call my satire day
But satire work point blank refuses
With no support from any muses
To give me verse at any time
And Forest View does seldom rhyme
Some poets’ names I never knew
Like nineteenth century Catherine Drew
Whose painted face adorns the broad
Fresh painted walls of Cinderford
And one can read her sad lament
Appears in this short document
She cries :’And tho’ you upbraid me, when I have got time, To the end of my days I will scribble a rhyme’
And in her anthology her Forest roots made her sing
‘In a little thatched cottage, as free as a King, I was born and was bred, in the Forest of Dean, I know nothing of town, or what it did mean’
And ‘So the Forest of Dean is my native, my own I prefer to either the city or town, The days of my childhood I trace in delight When I roved on the green on a moon shining night’
And there’s many another forest bard
Without researching very hard
Who’s now emerged in Forest View
Will Harvey and Edward Thomas to name but two
Will Harvey, while prisoner of war
Celebrated crazy ducks he saw
Back in England, in a cricket match,
He described the taking of a catch
And compared the flight
Of cricket ball with wartime gelignite
Robert Frost, if I’m not mistaken
Wrote about the road not taken
And in his great poetic voice
Explained the great effects of choice.
When Edward Thomas’ train stopped at Adlestrop station
He used it for serious versification
And he developed some thoughts on the unwanted stop
And created for ever the fame
And the name
Of ‘Adlestrop’
Whereas my old mate Ambrose
Is very good at verse and prose
I often get quite jealous
For he does refuse to tellus
The secret of his art
So I’ve now given up on verse
As my rhymes get quite perverse
And often even worse
The moral of this sad discourse
Is ‘stick to writing simple prose’
And do not tread on poet’s toes
That’s how it goes.
Until the time
I feel a rhyme
And another Forest topic came
And I’m in doggerel land again.
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